Einsidig skodespel om viktig tema

immaturus_JG_09

DYKTIGE SKODESPELARAR. Ai??MA?dreneAi?? framstA?r i skodespelet som ei dA?mmande kraft overfor dei andre karakterane. FOTO: JULIE GA?NTHER

Ai??BA?tenAi?? viser fram talentar i Immaturus bA?de innan skodespel og regi, men evnar ikkje formidle temaet pA? ein god mA?te.

TEATER

Ai??BA?tenAi??

RegissA?r: Maja Bergebakken Sundt

Kvar: Tivoli/Det Akademiske Kvarter

Dei tre Ai??MA?dreneAi?? stA?r pA? kvar sin pidestall og vakar over dei andre karakterane i stykkjet. Dei dA?mmer Romeo for hans del i Julie sin dA?d, og beundrar Julie for hennar endelause hA?p. Samstundes fA?l dei med pA? eit ungt par i notida som utforskar sitt eige forhold. MA?drene stiller spA?rsmA?l, bA?de til Romeo og Julie, det unge paret og publikum, men dialogen der MA?drene er involvert framstA?r sjeldan som ein samtale. Den framstA?r heller som noko einsidig, der MA?drene dA?mmer, og resten blir stilt til veggs, publikum inkludert.

Stykkjet kritiserar bA?de romantiseringa av forholdet mellom Romeo og Julie og litteraturhistoria generelt. Det verkar til at mA?let er A? skape ein samtale om kjA?nn og kjAi??rleik gjennom historia, men det blir her gjort gjennom raseri og utan diskusjon.

Samanhengen mellom dei to unge para er utydeleg. Ein kunne forvente at det moderne paret var eit motstykke til Romeo og Julie, og at der Romeo blir klandra for si rolle i sin eigen romantiske historie, ville mannen i det andre forholdet vise seg som ein betre partner for sin kjAi??rast. Men i dette forholdet ser ein eit par som ikkje er einige om mykje og ikkje er villige til A? sjA? kvarandre si side.

Immaturus viser atAi??dei har dyktige skodespelarar som lev seg inn i rollane sine, og ein tenkjer ikkje ofte over at dette er eit amatA?rteater der mange er nye pA? scena. Stykkjet er og visuelt pent, med god scenografi, og mange gode valg tatt av debuterande regissA?r Maja Bergebakken Sundt. Men trass i talenta som fA?r vist seg fram, let ikkje stykkjet bodskapet skinne igjennom.

Den store svakheita ligg i den heilheitlege formidlinga. BA?de teatersjef og regissA?r skriv i brosjyren at stykkjet krev noko av publikum og er opp til tolking. Dette stemmer, og treng ikkje nA?dvendigvis vere ein negativ ting, men i Ai??BA?tenAi?? gjeld dette i for stor grad. Meiningane som kjem fram i stykkjet er einsidige, og feilar i sA? mA?te A? starte diskusjonen den ser ut til A? A?nskje. Dei forskjellige historiane som blir fortalt kjem heller ikkje saman pA? slutten, noko som skapar eit antiklimaks.

Samla sett gjer Immaturus si besetning ein god jobb her, men Ai??BA?tenAi?? forventar i overkant mykje tolking frA? sitt publikum, og evnar ikkje A? formidle sitt formA?l pA? ein god mA?te. Problematikken om korleis kjA?nn og kjAi??rleik har blitt sett pA? er ein viktig ein, men Ai??BA?tenAi??, heller enn A? stille spA?rsmA?l ved problemet, kjem med ein sterk, hA?glytt og einsidig pA?stand.Ai??

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